Theatre production

Shows, dramatised readings and stage projects

Hoidek Producciones creates performing arts projects for diverse audiences. Over the course of our history, we have developed theatre productions, literary adaptations, dramatised readings, micro-theatre pieces and stage research.

Our work combines dramaturgy, performance, set design, audiovisual resources, music and education, with projects for adult, children’s and young audiences.

Repertoire

Theatre productions

La mandrágora · stage photograph

La mandrágora

The Mandrake, by Niccolò Machiavelli, was the company’s very first theatre production, premiered in Pamplona on 17 May 2002 at the Patio de los Gigantes.

The Florentine author offers a satire that portrays human weakness through comedy, in a register far removed from his moral writings yet just as eloquent. The staging heightens the buffoonery of the characters and follows the conventions of the Commedia dell’Arte.

The result is an entertaining, funny piece that shows how many of the themes, characters and scenes of classical theatre translate perfectly to our own time. It is suitable for all adult audiences, from the most seasoned theatregoer to the occasional visitor.

Credits

Director:
Francisco Javier Larrea
Author:
Niccolò Machiavelli
Cast:
4 performers
Premiere:
Pamplona, 17 May 2002 · Patio de los Gigantes
Running time:
90 minutes
Audience:
Adults (15+)
Los Argonautas · stage photograph

Los Argonautas

Hoidek Producciones presents The Argonauts, a production for young audiences based on the mythical epic told in Apollonius of Rhodes’ Argonautica and Robert Graves’ The Golden Fleece.

Heroes and tragic figures such as Jason, Medea and Heracles take the audience on a fabulous voyage in search of the Golden Fleece, a gift from the gods that gives mortals the strength and power to survive difficult times.

Like other epic tales such as The Odyssey and The Iliad, The Argonauts takes us into the history, myths, customs and worldview of ancient Greece, and into values that would profoundly shape our culture.

Hoidek’s stage version focuses on the story’s central elements through a dramatised account of the voyage and its protagonists. The production broadens young people’s understanding of the classical world and complements classroom learning in Ancient History, Art, Philosophy and Classical Literature. It also offers an opportunity to experience a text rooted in the origins of Western theatre.

Credits

Director:
Ana Maestrojuán
Text:
Carlos Sotelo
Cast:
Susana Gutiérrez, Juan Sansegundo, Xabier López, Eva Azpilicueta
Set design:
Hoidek
Lighting and sound:
Ana Maestrojuán
Déjame que te sueñe · stage photograph

Déjame que te sueñe

Let Me Dream of You is a show created especially for children under the age of four.

Gesture and movement take centre stage, with very little text, allowing young children to follow the story through a language that feels familiar. The show explores the world of dreams through the eyes of a girl who is afraid to sleep.

Story

Enara is afraid to sleep because nightmares fill her head whenever she closes her eyes. Her parents want to help and give her a dream catcher to face all the frightening things that invade her room after dark. Together, Enara and her dream catcher learn to banish dark thoughts and transform sleep into a long, peaceful and happy dream.

Credits

Director:
Xabier López
Text:
Carlos Sotelo
Cast:
Susana Gutiérrez, Juan Sansegundo
Set design:
Hoidek
Lighting and sound:
Ana Maestrojuán
La tienda de los horrores · stage photograph

La tienda de los horrores

The Little Shop of Horrors is based on Roger Corman’s cult film classic.

Its distinctive blend of horror and black comedy has attracted a devoted following since its release. Stage adaptations have usually taken the form of a musical. Hoidek set out to create a version faithful to the spirit of the original story while delving more deeply into the lives of its eccentric characters.

The result is a work filled with grotesque situations and the unsettling atmosphere of a B-movie tragicomedy.

Credits

Director:
Ana Maestrojuán
Text:
Carlos Sotelo Enríquez
Cast:
Susana Gutiérrez, José Félix Otxagabia, Xabier López, Maite Legarrea
Set design:
Ana Maestrojuán and José Félix Otxagabia
Lighting and sound:
Patxi Larrea
Historia de una gaviota · stage photograph

Historia de una gaviota y del gato que le enseñó a volar

This production is based on the well-known story by Luis Sepúlveda. It grew from a desire to bring to the stage a tale that reflects on how human beings care for the world around them.

Faithful to the author’s narrative, the adaptation brings out the novel’s dramatic possibilities through its variety of expressive languages. The result combines actors, puppets and audiovisual resources.

Credits

Director:
Patxi Larrea
Adaptation:
Carlos Sotelo Enríquez
Cast:
Susana Gutiérrez, Luis Argiñariz, Xabier López, Leyre Arraiza
Set design:
Patxi Larrea
Lighting and sound:
Luz y Fer

The spoken word on stage

Dramatised readings

Las mujeres de Shakespeare · Macbeth stage image

Las mujeres de Shakespeare

As part of the NapaeActiva programme, Hoidek Producciones presented a series of dramatised readings focused on representations of women in Shakespeare’s work.

The project initially set out to gather excerpts featuring some of the playwright’s best-known characters, but ultimately followed a more experimental and personal path through less frequently performed texts—especially the so-called problem plays, mature works that are more complex and contradictory than his most famous pieces.

This approach led to a selection based on two plays:

  • Troilus and Cressida
  • Measure for Measure

Two female characters stand out in these works and give the project its voice: Cressida and Isabella. Through parallel excerpts following the development of each plot, the reading reveals their personalities and invites audiences to reflect on how Shakespeare and his contemporaries viewed women, as well as on the persistence of certain stereotypes today.

A small audiovisual component helps audiences follow the reading. The piece includes not only monologues but also dialogues with other key characters who help define the protagonists.

Credits

Director:
Susana Gutiérrez González
Text selection:
Susana Gutiérrez and Eva Azpilicueta
Performers:
Susana Gutiérrez González and Eva Azpilicueta
Production:
Hoidek Producciones
Running time:
60 minutes
Audience:
Adults
Cuentos escogidos del Cuervo · raven on a seaside grave

Cuentos escogidos del Cuervo

Hoidek Producciones presents a dramatised reading for young audiences based on the work of Edgar Allan Poe.

The Raven is one of the author’s best-known yet least understood poems. It recounts the visit of a talking raven to a tormented man, perhaps Poe himself projected into fiction. The repeated phrase ‘Nevermore’ creates an atmosphere of unease that provides the perfect setting for some of Poe’s most terrifying tales:

  • The Black Cat
  • The Tell-Tale Heart
  • The Masque of the Red Death
  • Hop-Frog
  • The Oval Portrait

The reading uses the narrative thread of The Raven to introduce this selection of stories. It is designed for secondary-school students, broadening their knowledge of Poe and revealing the roots of detective fiction, thrillers and horror cinema.

Performed by actors, the piece includes audiovisual support and a brief introduction to the American writer’s life and work.

Credits

Director:
Susana Gutiérrez González
Text selection:
Carlos Sotelo Enríquez
Performer:
Susana Gutiérrez González
Production:
Hoidek Producciones
Running time:
60 minutes
Audience:
Young people

Laboratory

Special projects and stage research

Marcela Can Do It · stage photograph

Marcela Can Do It

Marcela Can Do It is a theatre project developed by Hoidek Producciones during the 2017 Olite Classical Theatre Festival’s Laboratory Residency. It offers a modern rereading of the shepherdess Marcela episode in Don Quixote, regarded as one of the earliest feminist narratives in Spanish literature.

The project moves the story to the world of American women who took jobs in wartime factories during the Second World War while men fought at the front. It explores women’s emancipation and freedom, as well as their forced return to traditional roles after the war.

The piece was developed collectively, with dramaturgy, performance, set design, music and choreography in dialogue from the outset. The team called its method ‘forensic dramaturgy’: a form of creative reconstruction in which every element is researched and connected to uncover a common narrative thread.

The project also incorporated visual references, Lindy Hop choreography and music inspired by the 1940s, reinforcing the work’s historical and aesthetic relocation to the twentieth century.

Credits

Director and performer:
Susana Gutiérrez
Participating performers:
Eva Azpilicueta, Iker Bengotxea, Vidal Ruiz, Ignacio Lapieza
Set design:
Ana Ibáñez
Musical director:
Asier Zabalza Larreta
Choreography director:
Reyes Barrabés
Text adaptation and production:
Carlos Sotelo Enríquez

Public space

Micro-theatre and street performance

Juicio al mercader · street performance photograph

Juicio al mercader

The Merchant on Trial is a micro-theatre piece created for the 2016 Olite Classical Theatre Festival. It is conceived as a street performance recreating a period market scene, with several archetypal characters and a minimal set adaptable to any location in Olite’s old town.

The piece presents a humorous and satirical conflict between a lady, a procuress, a merchant, a knight and a priest. It blends irony, social criticism and classical flavour, and is designed to come alive in a public setting.

The proposal also allowed for live string music by performers from Los Amigos del Arte, with one piece opening and another closing the performance.

Credits

Director:
Susana Gutiérrez González
Performers:
Juan Antonio Oiartzun, Eva Azpilicueta, Susana Gutiérrez and additional cast to be confirmed
Music:
Los Amigos del Arte
Text:
Carlos Sotelo Enríquez
Set design and technical resources:
Hoidek Producciones

If you are interested in booking one of our shows, dramatised readings or stage projects, or would like more information about our theatre work, please get in touch through our contact page.